Showing posts with label ENTERTAINMENT. Show all posts
Showing posts with label ENTERTAINMENT. Show all posts
Friday, June 6, 2008

VIJAY'S VILLU - FIRST LOOK!!!!!!!!!




The next SUPERSTAR of KOLLYWOOD VIJAY has now started and busy with his next racy and fast pace movie named s "VILLU" after a series of discussions and problems with some pre registered titles.The name Villu and its official. Vijay’s next movie with Prabudeva has been named Villu and has started its shooting in Pazhani. Villu said to be a racy movie with all the ingredients Vijay fans will love has Ilayathalapathi Vijay and Nayantara playing the lead roles. Prabudeva directs the flick and Devi Sri Prasand will make Vijay and Nayan dance to his tunes.
The movie went through a series of name change, with the initial title being Seval. This title was registered by director Hari for his upcomming movie with Bharath, and Hari refused to part with the title to Vijay. Then Vijay and Prabudeva chose the title Singam for the movie and Hari then announced that his next project with Surya is titled Singam.
Hence the final title of the movie Villu. Hope the title proves lucky for the Vijay-Prabudeva combination and they can repeat their Pokkiri success.
Tuesday, May 27, 2008

'INDIANA JONES' EARNS $311 MILLION WORLDWIDE

The most recent Indiana Jones film more than recouped its big budget with an estimated $311 million in global box office sales through the long weekend, according to studio estimates Monday.

Families went in droves to catch "Indiana Jones and the Kingdom of the Crystal Skull," a PG-13 adventure starring Harrison Ford as the whip-cracking archaeologist who took 19 years to return to the big screen.

Paramount Pictures estimated the action sequel made $151.1 million in the U.S. and Canada from Thursday to the holiday Monday and $160 million overseas.

It marked the second biggest Memorial Day weekend opening ever, behind only "Pirates of the Caribbean: At World's End," which made $153 million domestically from Thursday to Monday last year.

Nearly a third of the domestic audience was made up of parents with their children, said Rob Moore, president of Paramount Worldwide Distribution.

"Adults really drove this opening. This is one of their favorite franchises and they couldn't wait to take their kids with them," Moore said.

The film cost a reported $185 million to make, even with the principal talent — Ford, director Steven Spielberg and writer George Lucas — deferring their usual fees for a greater share of the profits.

The first three Indy movies raked in $1.2 billion worldwide.

Marketing costs were undisclosed, although the latest "Indiana Jones" received a major push from Paramount. DVDs of the first three movies were re-released, they aired on TV days before the opening and huge billboards sprung up.

The final trailer for the movie rolled before the opening of Marvel Studios' "Iron Man," which was also distributed by Paramount, three weeks earlier.

"It's been a pretty good month," Moore said. "We started the month with 'Iron Man' and finished with 'Indiana Jones.'"

Other movies' receipts over the long weekend paled by comparison.

Disney's "The Chronicles of Narnia: Prince Caspian" slashed its way to $28.6 million, for a total $96.7 million over two weeks. "Iron Man" locked up third with $25.7 million in its third week for a total of $257.8 million.

The Wachowski brothers flick "Speed Racer," distributed by Warner Bros., crawled closer to the finish line with $5.2 million for fifth, bringing its domestic total to $37.4 million. It brought in $30 million overseas, and had yet to be released in major markets France, Russia, Japan and Australia.

The studio said it was not ready to wave the checkered flag on the film, which cost $120 million to make.

"If I had my druthers I'd have it in theaters for weeks and months to come," said Jeff Goldstein, Warner Bros.' executive vice president of distribution.

For the year so far, domestic movie revenues are down more than 4 percent at $3.4 billion, with attendance off nearly 7 percent.

Estimated ticket sales for Friday through Monday at U.S. and Canadian theaters, according to Media By Numbers LLC. Final figures will be released Tuesday.

1. "Indiana Jones and the Kingdom of the Crystal Skull," $126 million (plus $25.1 million on Thursday).

2. "The Chronicles of Narnia: Prince Caspian," $28.6 million.

3. "Iron Man," $25.7 million.

4. "What Happens in Vegas," $11.2 million.

5. "Speed Racer," $5.2 million.

6. "Made of Honor," $4.2 million.

7. "Baby Mama," $4.2 million.

8. "Forgetting Sarah Marshall," $2.2 million.

9. "Harold & Kumar Escape from Guantanamo Bay," $1.2 million.

10. "The Visitor," $917,000.

DIRECTOR SYDNEY POLLACK DIES AT 73 IN LOS ANGELES

Academy Award-winning director Sydney Pollack, a Hollywood mainstay who achieved commercial success and critical acclaim with the gender-bending comedy "Tootsie" and the period drama "Out of Africa," has died. He was 73.
Pollack died of cancer Monday afternoon at his home in Pacific Palisades in Los Angeles, surrounded by family, said publicist Leslee Dart. Pollack had been diagnosed with cancer about nine months ago, said Dart.
Pollack, who occasionally appeared on the screen himself, worked with and gained the respect of Hollywood's best actors in a long career that reached prominence in the 1970s and 1980s.
"Sydney made the world a little better, movies a little better and even dinner a little better. A tip of the hat to a class act," George Clooney said in a statement from his publicist.
"He'll be missed terribly," Clooney said.
Last fall, he played Marty Bach opposite Clooney in "Michael Clayton," a drama that examines a law firm's fixer. The film, which Pollack co-produced, received seven Oscar nominations, including for best picture and a best actor nod for Clooney. Tilda Swinton won the Oscar for supporting actress.
Pollack was no stranger to the Academy Awards. In 1986, "Out of Africa" a romantic epic of a woman's passion set against the landscape of colonial Kenya, captured seven Oscars, including best director.
In accepting his Oscar, Pollack commended Meryl Streep, who was nominated for best actress but didn't win.
"I could not have made this movie without Meryl Streep," Pollack said. "She is astounding — personally, professionally, all ways."
Over the years, several of his other films, including "Tootsie" and "They Shoot Horses, Don't They?" got several nominations, including best director nods.
Pollack's movies frequently had some of Hollywood's top actors: "Absence of Malice" with Sally Field and Paul Newman, "The Yakuza" with Robert Mitchum, "Three Days of the Condor" with Robert Redford, and "The Firm" with Tom Cruise, among others.
"Having the opportunity to know Sydney and work with him was a great gift in my life," Field said in a statement. "He was a good friend and a phenomenal director and I will cherish every moment that I ever spent with him."
In later years, he devoted increasing time to acting, appearing in Woody Allen's "Husbands and Wives," Robert Altman's "The Player," Robert Zemeckis' "Death Becomes Her," Stanley Kubrick's "Eyes Wide Shut."
Pollack's recent producing credits include "The Talented Mr. Ripley" and "Cold Mountain." His last screen appearance was in "Made of Honor," a romantic comedy currently in theaters, where he played the oft-married father of star Patrick Dempsey's character.
In recent years, Pollack also produced many independent films with filmmaker Anthony Minghella and a production company Mirage Enterprises.
The Lafayette, Ind. native was born to first-generation Russian-Americans. In high school, he fell in love with theater, a passion that prompted him forego college and move to New York and enroll in the Neighborhood Playhouse School of the Theater.
Studying under Sanford Meisner, Pollack spent several years cutting his teeth in various areas of theater, eventually becoming Meisner's assistant.
"We started together in New York and he always excelled at everything he set out to do, his friendships and his humanity as much as his talents," said Martin Landau, a longtime close friend and associate in Actor's Studio, through spokesman Dick Guttman.
After appearing in a handful of Broadway productions in the 1950s, Pollack turned his eye to directing — where he would ultimately leave his biggest mark. He helmed "The Way We Were" (1973), "Jeremiah Johnson" (1972), "Havana" (1990) and "The Interpreter" (2005).
"Sydney let the dialogue and the emotion of a scene speak for itself. Not given to cinematic tricks, his gentle and thoughtful touch and his focus on the story let us inhabit the world he created in each film," said Michael Apted, president of the Directors Guild of America.
But Pollack, who stood over six feet tall and had a striking presence on the screen, never totally gave up acting.
At the 2005 Tribeca Film Festival, Pollack said "Tootsie" star Dustin Hoffman pushed the director into playing the actor's exasperated agent. At that point, he hadn't acted in 20 years.
Pollack said Hoffman repeatedly sent him roses with a note reading, "Please be my agent. Love, Dorothy." At that point, Pollack hadn't acted in 20 years.
"Most of the great directors that I know of were not actors, so I can't tell you it's a requirement," he said. "On the other hand, it's an enormous help."
In the 1982 movie, Hoffman plays an out-of-work actor who pretends to be a woman to land a role on a soap opera.
"I didn't think anyone would believe him as a woman," Pollack said. "But the world did, they went crazy."
Pollack was survived by his wife, Claire; two daughters, Rebecca and Rachel; his brother Bernie; and six grandchildren.
Monday, May 26, 2008

THE SEX (AND THE CITY) ECONOMY

On May 30, the company's New Line Cinema division is releasing the feature-film version of Sex and the City, following a blockbuster six-year run on its cable outlet, HBO.

Chronicling the travails and triumphs of four single Manhattan women, Sex spawned a devoted female following and later a cottage industry that has generated hundreds of millions of dollars in revenue--and not just for the media giant. From booze shakers to shoe makers, businesses continue to cash in on Sex's enduring appeal.

New Line sees the film as "the Super Bowl for women," and they're already raking in cash. The studio has tie-in deals with eight marketers, including Glacéau VitaminWater, Mercedes Benz and Skyy vodka, whose products are mentioned by the actors or appear in the film. Bag designer Judith Lieber created a jeweled "cupcake" purse for Charlotte's daughter. Vivienne Westwood designed Carrie's wedding dress and Fred Leighton made her jewelry.

But Sex and the City's influence is nothing new. The show has been a marketing bonanza for years. It made a fashion icon of star Sarah Jessica Parker, who went on to become a designer. She created her own line of clothing, called Bitten, for retailer Steve & Barry's. Every item in the Bitten line costs $19.98 or less.

Parker also launched two perfume names with Coty--"Lovely," which has had global sales of $155 million, and "Covet," a recent launch.

Kim Cattrall, who plays seductress Samantha Jones, tried to capitalize on her fictionalized persona with two books: Sexual Intelligence and Satisfaction: The Art of the Female Orgasm. They sold a combined 370,000 copies. Even Marian Jordan, the founder of Redeemed Girl Ministries who speaks to women "about the unfailing love that she has found in Jesus," took a crack at the market. Her book, entitled Sex and the City Uncovered: Exposing the Emptiness and Healing the Hurt sold under a thousand copies. (Psst--people like sex.)

The show, which made a fifth character out of New York City, attracts fans to the Big Apple in droves, and locals cash in. Location Tours offers a three-hour bus tour that stops at shops and bars that have appeared on the show. The tour costs $40 a head, and its owners say it attracts as many as 1,000 people a week. Destination on Location Travel offers "set-jetting" weekends in New York, where groups of up to twelve women are shuttled around town and given the fantasy that they're one of the four Sex characters. The price: a hefty $15,000 per person.

Another Sex winner: shoemaker Manolo Blahnik. Blahnik has been designing shoes since 1971, but became a household name when Carrie Bradshaw swooned over his gravity-defying stilettos. "Manolo Blahnik's success skyrocketed as a result of Sex and the City," says Paula Correri, accessory editor at Tobe Report, a retail consultancy. "The prices keep escalating, but women will starve themselves to score a pair of his shoes."

Ironically, though, the woman who started it all, Candace Bushnell, hasn't profited nearly as much. Bushnell turned her "Sex and the City," column in the New York Observer into a bestselling book of the same name.

Soon after, Bushnell sold HBO the rights for six figures, but didn't share in the upside. Not that she's done badly. First published in 1997, Bushnell's book has sold more than 260,000 copies since 2001. Meanwhile, the show instantly became one of HBO's highest-rated attractions when it launched in June 1998.

HBO won't disclose DVD sales figures, and there's no way of telling how many of their 39 million subscribers signed up as a result of the series. In 2004, HBO sold the rights to Sex to fellow Time Warner cable outlet TBS for $750,000 an episode. The show is syndicated in over 200 countries. HBO's online store sells 74 Sex-themed items, including a "Carrie Balconette Bra" ($94), "Samantha Thong" ($36), "Charlotte Camisole" ($90), "Miranda Martini Glass" ($12.99) and a "Mr. Big T-shirt" ($19.99).

The network will be no more specific than to say it's made "hundreds of millions of dollars" from Sex. Not bad.